[Kit Kemp] So, this is actually the Sandra Blow room and here is an original Sandra Blow. She was the most wonderful character and her work now is actually being recognised, I think for the first time. So strong, so abstract and so wonderful. She actually was very interested in the beach. You know, when you go right down to where the sea meets the sand, you get those diamond shapes, you get those ripples in the sand. She was very often using those shapes and getting that appearance within it. And one of the other paintings that we've got of hers is at the Haymarket Hotel and that has that diamond and in front of it we put this huge table scape with the stone character that we brought in from the garden. And it almost highlights it. I don't know, I mean, it's just powerful. So many of those artists working at that time were very much getting away from figurative and going to abstract using white, actually as a colour in itself. And, you know, they visited America. They saw the artists that were working, like Pollock, at that time. But actually they always had that generational thing of coming from Europe and being very British. And I think in our hotels, we're very democratic with our art. So it means you get very serious names besides not so serious. And then secondly, that they are mostly British artists and of course we're going to espouse them because we are British.